For the Nouveau Printemps 2024, Mimosa Echard presents a sculptural intervention, a kind of anti-monument atop the Parking des Carmes.

Pursuing her practice in relation to electromagnetic waves and the invisible, the artist has dreamed up a sculptural intervention on the 5G mast on top of the parking garage, which reveals itself to the visitor upon completion of a spiral ascent. The antenna is adorned with props and trinkets in a composition that blends registers of the intimate, extimate and advertising. The elements of this visual poem, apparently escaping from the data traffic controlled by the antenna, make tangible its central function in the mass circulation of images.

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